No other artist's work depicts Berlin of the 1920s as unmistakably as the paintings, drawings, and prints of George Grosz (1893-1959). At first politically committed but then increasingly disillusioned, Grosz portrayed Germany from its defeat in World War I, through economic and political crisis, to the rise and triumph of Fascism. His work teems with the characters of the capital of the Weimar Republic: the prostitutes and pimps, the beggars and black marketeers, the scheming politicians, vengeful military and judiciary personnel, dissatisfied workers, and self-important bourgeoisie