Ori Gersht pushes film, video and the photographic camera to the limits of what it can record. He does this through an innovative approach and an in depth understanding of the physical limitations of the medium. Gersht’s use of light and film leaves an imprint in time which becomes his vehicle for meaning. In his Blow Up series, he depicts elaborate floral arrangements captured in the moment of exploding. The authority of photography as an objective truth has been shattered, but new possibilities to experience reality in a more complex manner has arisen.